








“Don’t write anything you don’t like yourself, and if you do like it, don’t take anyone’s
advice about changing it. They just don’t know.”
-Raymond Chandler
“If your writing doesn’t keep you up at night, it won’t keep anyone else up, either.”
-James M. Cain
2025 Submissions:
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NOTE: Reviews #1-7 are available! They feature 80 pulp tales, have a look on the 'shop' or 'books' tabs! We placed 3 stories in 'Best American' anthologies last year, and hope to keep the momentum going. ​
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Click the video above for submission guidelines as well.
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Starlite Pulp Review #8 (summer 2026 issue):
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Submissions are currently closed. They will open up again in August.
All stories should fall under the Pulp 'umbrella', so horror/crime/adventure/western/Sci Fi, or anything in between. Any size is welcome, although understand that anything over about 20k words really belongs in the novella category. Payment for accepted stories is $25 and a contributor's copy of the book (although a bit of a caveat there for some international authors, we can chat about that if/when necessary). Authors whose stories get accepted will also be invited to participate in a round table podcast in January (optional, of course). Click the envelope above to go to our Submittable page. Story submissions are $3 apiece. Window will be open until approximately mid-September, depending on the editing process and number of sub's, so get 'em in while you can! Also, NO AI submissions of any kind will be considered.
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We are also accepting 'graphic' shorts for the 8th Review, meaning something along the Sin City/Stray Bullets/Walking Dead lines. Must be black & white, since the whole issue is, and must be scalable to a 6x9 size.
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We are not currently accepting submissions for book-length manuscripts, though that can (and will) change in the future, so check back from time to time (or check our Instagram, which updates daily).
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One note on pricing: We apologize for charging for submissions. In a perfect world, we wouldn't have to. We are not, however, a non-profit affiliated with a university or the AWP (like so many litmags are), and therefore cannot ask for grants and/or utilize fundraising opportunities like they can. We are just a tiny company who believes in Pulp and our mission, and who pays out of pocket for every submission page we use, every artist/photographer we hire, and every book we print. So, it's a necessary evil to keep the lights on and pay for those ISBN's and vendors. Thanks.
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